Monday, January 16, 2012

Empirical Empire

Divined by touch, fingers find
The Braille of the backbone, the brow.
-ursine, porcine, leonine-
Each latent potential follows
Its own cartography.

The patient feels silver calipers
At the nape of his neck-
Through the window, he can see the docks,
Sailors loading ships setting sail for other lands.
Three quarter inches, stern brow, full lips-
The Phrenologist makes note of it.
Loose pages whisper in his crimson case.

In the entrance, the clock is chiming.
The clockwork universe is
winding

down.

The study is dark. A long glass case stretches open like the tide,
Offering what the corners of the world have cast up;
Each butterfly affixed to velvet with a silver pin.
The lepidopterist, bug-eyed through the jeweler’s loupe,
Pricks her finger; a drop of blood falls on the crimson cloth.
Reflected in divided eyes.

A house divided against itself
Through genus and Genius, Kingdom and Class.
The case has been made.
Foundations of monstrosity are built;
The clock
quietly
chimes,
biding its time.

On the cobblestone streets, the Phrenologist drops his briefcase.
Silver instruments fall,
Loose pages scatter through the air on hollow wings.

The Lepidopterist binds her finger.
The blood in her folded handkerchief multiplies,
Mimics itself
A red butterfly unfurls within the silk cloth,
Following its own latent cartography.

Friday, January 6, 2012

Great song

Haven't shared anything in a while. Promise that will change. In the meantime, I can't get this out of my head.

Thursday, May 26, 2011

Old Science (New poem)

Old Science (What I Used to Know)

Crush your eggshells always; else witches build them into ships, and
Use them to kidnap sailors from their hulls.
If you wish to know the contents of a mind, place your hands
On the head and feel the coarseness of the skull.

Illness is always caused by imbalance, too much blood, or phlegm
That must be bled out to restore balance and vitality.
Illness is always an invasion by an outside, a “Them”
Or else (much worse), a mutiny, a “we”.

All we are is encoded, two intertwining strands
That are no more or less poetic than an enterprising psalm.
If you wish to know the contents of a heart, place your hands
In their hands, and trace the indentations in their palm.

If you spill salt, you must remember to throw it high
Over your shoulder to avoid future tears.
For those who scoff at ghosts, remember, some of those stars we steer by
Have been dead now for thousands of years.

Friday, April 22, 2011

Six Quarts

Six Quarts-
For Ellyn
-But how much inherited?
Stray clouds have caught themselves
On the tops of trees like tufts of wool:
We were driving to the Mountain together, the one
Whose shadow we grew up in, the one
Our City was named for before
It was renamed for a man
Who never once set eyes there.

Six Quarts, but how much did they give me?
The same that drove my family
Across dark oceans through forested foreignness,
Why they never really stopped
Until they reached the second coast. And from here?
My back is against the shore now, there’s nowhere left to go.

Meanwhile, you walk backwards, retracing your steps
To reclaim something that’s been lost.
We write the kind of letters that will someday
be kept in a trunk under your bed,
Embalmed in perfume:
Time has already hardened around me like tree rings,
Piling into river banks.

The day I gave my poems the names
Of the children I would never have,
I drove out to the coast
And scattered ashes to the winds:
My line ends here; those letters under your bed
will be divided and sold as some mystery.

But on that day, under the mountain that lost its name,
Stray clouds were caught on the tallest branches like lost thoughts.
Tightly wrapped in our synthetic cocoons, we slept
And dreamt of trees.

Monday, March 7, 2011

NewsNews

Ode to a Dried Fig is going to be published in the upcoming issue of Mare Nostrum, a University affiliated literary journal.

Friday, February 4, 2011

The Marble Road

Written for a class during Autumn, edited for my English application.

________________________________________________

Irene was almost to Ephesus by the time the news reached her. Her watch face glowed like a moon in the dark as the phone in her hotel room rang shrilly, a cool voice from the lobby informing her that she had a call waiting from the United States. She almost didn’t accept the call; it might have been her agent asking after her errant manuscript, a battle she was not prepared to fight at 4 am. But it hadn’t been her agent. It had been her sister, Anne. Mother had passed on. Arrangements, Anne said carefully, had been made already, but it would mean so much to her- to everyone- if Irene could make it home as soon as possible. They had been trying to reach her for several days now, but Irene had left no forwarding address at her former apartment in Rome. Irene could hear the reproach rearing like a snake in Anne’s voice, coiling through the powder blue phone in the kitchen of their childhood home (it must be that one, for there was no other phone in that house) seeping into the wires, separating into particles to travel across the Atlantic, across miles and miles of deep blue water, reaching her in the tiny room in Ephesus where she lay, ten hours earlier and miles away. “Alright,” she said. “I’m coming.”

__________________________________________________________

We are never granted knowledge of the moment something will change us. It is the nature of our minds to, in retrospect, color our memories with some unearthly knowing; that upon hearing her laugh, of course we knew that that was the woman we were destined to love; that on getting out of bed, we knew that was the day our lives would change. It is difficult for any of us to admit how pedestrian life is, how frequently our most important moments arrive like the mail and exit like the recycling: colorless and routine. But that was the manner in which Irene had found Mary, and the road to Ephesus. A family friend had invited Anne along to Mass with her, and Irene had tagged along, curious.

All through the strange service, Irene had felt Anne shift in discomfort, unable to get used to the idea of a female divinity. Anne had always been accustomed to ‘Our Father, Who Art in Heaven’ and had found comfort in that: the maleness and obscurity, like their own father, away on a perpetual business trip with a stern warning to behave while he was gone. Women were different. Women could not be lied to, smiled at and fooled with a laugh. A female deity was a new and disturbing idea. Anne felt nervous, without really understanding why; Irene, knowing her sister, did.

Irene had been absorbed by the smell of incense, the pooling of melted wax on the altars, and the rich oily black smoke that coated the windows. She loved the gold and silver, the opulence of tradition layering upon itself. This was as distant and exotic as the Arabian Nights from the sparse and clean white clapboard church her parents had taken her to on Christmas and Easter. At the end of the service, Anne bolted towards the doors, Irene trailing farther behind. She paused by a small altar near the entrance. It held only an icon and a small bowl of floating candles in front of it. Mary, robed in rich blue and gold and smiling down at her child, surrounded by the hosts of angels announcing his birth. The background was flat and golden, and these angels were only inference, feathers pressed into the still wet gold and painted over, the impression of intricate and identical wings in infinite number. One small crescent shaped indent was pressed in at the base of the feathered wings. The fingernail of the artist, impressed into the wet gold hundreds of years ago. Irene stared until Anne called her impatiently from outside. She turned back towards the massive wooden doors and followed her into the sunlight.

We tend to relate things temporally, stringing events together like beads to make some sense of the past. Irene didn’t know it herself at that moment, but that small golden window stayed with her, those feathers and that fingerprint. She did not meet Mary again until college, when, in a darkened lecture hall, the drone of Hellenic and Hellenistic differentiation falling on deaf ears, a line from the textbook caught her eye. “Mary, mother of God. Virgin. A corruption of the Latin and Greek Andro Gynne, meaning in its most archaic form, “One who is already whole; in no need of completion.”

___________________________________________________________

Anne had picked her up from the airport, despite Irene’s protestations about renting a car. You won’t recognize the city, Anne had insisted, you’ll get lost instantly. Irene hated to admit it, speeding past the newest shopping centers and office buildings that made her own home foreign to her, but Anne had been right. Nothing looked the same.

Anne tapped a staccato rhythm on the dashboard, her long pale arm snaking out the turn on the radio. Loud country music briefly filled the car before she snapped it off again impatiently.

“Was it a nice flight?”

“Yes, I suppose so. As far as flights go.”

Anne smiled wryly. “I’m sure.”

Anne had only ever been on a plane when they were very little, to go on a trip to Disney Land. She’d hated every minute of it. Unsure of what else to say, Irene turned to look out the window.

Irene had thought once that she would buy a house here. She would marry someone from town, have children, grow old and die here. Many of her high school friends were well on their way to accomplishing this, and it appeared from her distant vantage point to be working out well for them. Anne seemed happy enough, at any rate. Irene watched her from the corner of her eye. Anne had always been graceful and slender. The new baby had only added dark circles under her eyes, but somehow this trait only made her pale face more striking and unearthly. Motherhood had taken none of her old grace.

“How is your book coming along?”

“It’s coming.”

“What’s this one about?”

“Well, it’s exploring depictions of Mary in late Medieval Christian art.”

“Hm. Why does that require a trip to the Middle East?”

Turkey isn’t the Middle East, Anne.”

They reached the small city center. Irene was unnerved by how little downtown had been changed, while the entire area around her childhood home has been swallowed by new housing and development projects. The field behind the house where she had once played had become another cluster of homes, the newly developed Doe Meadow Properties, Inc. Each house had the same layout, slightly individualized with different shutter styles and trim detail, but otherwise identical, the same pattern copied and printed over and over like a stamp.

Anne dropped her off in front of the house. She took the key to the front door off of her own key ring and pressed it into Irene’s palm. Running her fingers through her chestnut hair, she glanced at the dashboard clock.

“I left Brian by himself with the baby, and we both know the man can’t take care of a potted plant for more than an hour without something going wrong.”

They both laughed, awkwardly, and then stopped. It didn’t feel right to laugh, not yet. Anne hadn’t said it, but Irene appreciated the privacy that she was granting her. This was her first time coming home in years. They hugged. Irene could still smell formula and some other sweet, unidentifiable smell on Anne’s sweater. Irene made sure the key worked in the lock, but she waited until Anne’s car had crested the hill and her taillights had faded into the night before she pushed open the door to her childhood home.

___________________________________________________________

She flicked the light switch in her old bedroom. The posters she had tacked up had been taken down to reveal the beige pink walls, and a sewing table was now tucked into the corner where her desk had been. There were a few boxes marked with her name, haphazardly strewn with adolescent belongings and clothes that didn’t fit. Other than that, nothing had changed. Her mother hadn’t moved anything since her last trip out here to pick up some belongings and to see Anne and Brian’s wedding.

She had made a career out of living from a suitcase, and how it unnerved her, trying to sleep in a house she knew too well, the walls brimming with living memory. In hotel rooms, people fought and loved and dreamed, but no one was ever there long enough to leave a distinctive imprint; it was always bleached away by the time she arrived. Here, thoughts had had time to settle, and each new scent, each footstep on the heavily padded carpet sent waves of nostalgia over her.

She gingerly stepped down the hall and pushed lightly on her mother’s bedroom door. Nothing was changed yet. The walls were still the same color, the same floral patterned bedspread, the same white bedroom set. All across the room were framed pictures of angels: fat baby cherubs, baby-cheeked little pucci’s playing lyres, sleeping, blowing horns. They were familiar, and awful.

She looked as long as she thought she could, and turned back down the hall to find her old bedroom. Travel weary, with her sense of time still in Ephesus, she fell asleep in her old bed.

____________________________________________________________

It was late afternoon by the time she woke up. The coffee in the pot was cold. She poured in milk until it was tepid and then heated the mixture in a saucepan on the stove. The rain outside the window fell in odd bursts, scattering the last of the leaves that had until then tenaciously clung to the bottom branches. It sounded like a drum beat, the leaves hitting the pavement in heaps. She rinsed out her mug and set it back on the draining board. The radio was on, though she was only half listening; the newscaster was swearing that if something or other occurred, then inevitably something else would happen. He seemed unaware of what Irene had only recently learned; that there was nothing new under the sun; that everything that could happen already had. She grabbed her coat and boots from the mudroom and set out.

The air smelled clean, washed of that rotting smell that permeates fall. The rain had stopped some time after she stepped out, and now only drops fell from the dripping trees. She could see the sky reflected in the puddles on the ground, the reflection repopulating the skeletal branches with the molding leaves lining the edges of the cracked sidewalk.

It was September. In Ephesus, it would be been sunny and warm, but here fall had begun. She had headed to Ephesus on a whim, at the end of her studies in Rome and Istanbul. Her next book was on the changing portrayals of Mary in iconography and in Western art. When her research had ended, she still had some funds left over, and thought she would visit the place where Mary was said to have died. It was the place of Mary’s Ascension, yes, but it was also where she had lived out the end of her long life; childless, save for her adopted son John, given to her by Jesus. It was a puzzle to her; Ephesus, where the most sacred woman in the world had ascended into the next, was also where the oldest known advertisement existed, a thousand year old sign for a brothel depicting a footprint, a woman’s face, and a heart. There was no conclusive evidence, but it was popularly believed to be directional, where one could go to find a ‘women’ seeking ‘love’. She wasn’t sure what she had been seeking in Ephesus; it mattered little now, in any case. Her manuscript was overdue already, and there was no way to return to Ephesus by the time she would submit it.

____________________________________________________________

Her walk took most of the afternoon as she wandered, reacquainting herself with the neighborhood. Anne had said she would be back by eight to pick her up for dinner, and to help her pack some boxes. It was early still, but already getting dark. She went into the kitchen to get a glass of water, and stopped by the window.

The sun had completely set now, the deep blue sky hemmed at the edges with gold. Though the warped glass, she could almost imagine the blue mountains that lay strewn like a veil, although she could no longer see them hidden behind the newly constructed houses. A small feather was curled on the glass, stuck by rain. Something called out in the night indistinctly, and all down the street, porch lights were turning on. She rinsed her glass and placed it on the draining board, but stayed by the window for a moment.

That small feather clinging to the window pane. On the ledge, she could see the tiny indent left by her mother’s wedding ring, a crescent left in the white paint where she had once rested her hand while looking out the window. That old view was completely obscured now. Tracing with her fingers, she could still find the vague outline of the field behind the house where she had played when she was young. It was covered now with other houses, the smell of lumber and paint still lingering in the fall air. The sun had completely set now. Where the fields had once been completely dark at night, the lights of the other houses now lit up the backyard in a faint glow, making the kitchen window a mirror. She turned the kitchen light off, throwing her own reflection into sharper relief. The yellow walls behind her gleamed a muted gold, and her own face was a calm and obscure as a Byzantine icon. She started at her own inscrutable face for a moment, before turning back towards the lighted hall.

____________________________________________________________

In her dream, she was on the Road. It was night, but the marble stones felt sun-warmed beneath her bare feet. The pale moon was shrouded over with clouds, the velvet sky an impossible shade of blue. Beyond the broken white columns that lined the road, a procession of hemlock trees shivered in the wind, their distinctive apologetic bows melting into the skyline. Slowly she felt her way down the road, headed towards Ephesus.

Sunday, October 31, 2010

Salle 17

Not so long ago, two paintings hung in a gallery. One, an austere Rembrandt in dark oils, featured a stately woman in black velvet. It was dark and Germanic, from the period before Van Gogh’s lucid canvas dreams. This painting was of the school that frequently featured only smoky black with small pinpricks of impossible white. Her fat fingers were coated in jewels, and she looked at the onlooker sternly, her neck covered with an impossibly thick lace collar.

Directly across the room hung a Mucha. A woman smoking languorously, sheer pastel fabric draped over not so subtle curves. Her hair had come undone, trailing all the way to the frame to finally curl around the cigarette brand name, proclaimed loudly in art nouveau lettering. A placard below stated that “Mucha had been the first to successfully objectify women for commercial purposes.” The curator had smiled at this small revenge while writing this in her curly handwriting. She did not much like studying Mucha in college, never felt comfortable around his large, lolling women, though she could not name why. The placard remained there, hanging like a red letter “A” below the print, the schoolgirl revenge long since forgotten by the now matronly curator.

The two paintings did not know why they had been placed in this room together, and viewed it with the unquestioning despondency of Greek tragedy. Once upon a time, a young curator, fresh in her power and confident in her double major in art history and women’s studies, had decided to hold an impossibly grandiose and awkwardly titled show, “The Many Roles of Women through the Ages”. This curator had long since been picked up by a private gallery in New York, and, since the show’s opening and closing, a number of Michaelangelo’s had been discovered by the museum. This lucky acquirement had become the main attraction. This room was now infrequently visited by the museums volunteer docents, on lunch or looking for a place to nap. The paintings had accepted their lot and were complacent during the day, but at night, vented their fury.

“Slut!” the dutch woman hissed, her peach jowls quivering.
The Mucha took a drag from her cigarette before blowing smoke into the frame of the other painting, making the old Rembrandt gag. The Mucha would not have admitted it, but she missed her old room, Gallery 4, with the Lautrec’s and Klimt’s. There had even been a lesser known Van Gogh, but he had been haughty and difficult to get along with. All the same, it had been good, all of them gathering together in the Absinthe bar after closing, discussing love and the humanity and above all, the revolution they were sure was coming any day.

The Rembrandt missed her old gallery as well. It had been quiet- a few baskets of fruit, a hunting dog, all serene in their own way, quiet and unassuming. They didn’t bother themselves with lofty ideals, they merely wanted to stun the onlooker into realization- realization at the rotting fruit, the snapping dogs, that this was a freshly captured moment, outside of time. It was a far higher calling then selling cigarettes, at any rate. The old marquis, who had long since been forgotten for anything more notable then being an Early Rembrandt, none the less thought of herself as following a higher calling, where art was Art, not a glorified advertisement. Though she had been but minor royalty in life, her current situation, surrounded by the banal and pedestrian, humiliated her.